Lately I'd been hankering to see that old warhorse Jubilee! at Bally's; the show's been around for thirty years, after all, and Vegas being what it is, nothing is likely to stick around forever. Besides, there are those millions of dollars of Bob Mackie costumes and feathered headdresses, and, at the ten o'clock show anyway, dozens and dozens of showgirls baring what must be acres of breasts. Of course, as I always say, if you've seen one, you've seen them both, but still.
Then, on my latest
visit in December, I learned the show was being closed in mid-January
for an overhaul: Beyonce's former creative director is being brought in to
give it that 21st-century touch. I decided it was now or never if I wanted to see the
show in its classic incarnation, so armed with coupons for an extra
$2 off each half-price ticket at Tix-4-Tonight, we joined the lengthy
serpentine line for the Jubilee Theater.
The show kicks off
with a medley of standards from the American songbook, as Rod Stewart
would say, and if I had to guess, it's the one sequence which would
be ditched or reworked in the coming cleansing. Then, between acts
when the curtain has dropped for an elaborate set change, performers
take the stage for some jaw-dropping feats of acrobatics. The first
big set piece is “Samson and Delilah,” with elaborate sets and
costumes and a spectacular temple crashing that rivals the finale of
Cecil B. DeMille's version. Next up is a trip aboard the Titanic,
with more scenic eye candy, and, topping it all off, a dazzling
salute to the Ziegfeld-style revues that inspired this show. It is,
after all, the last of the great showgirl spectaculars that date back
a century or so to impresarios like Flo Ziegfeld and George White,
and you can't see anything quite like it anywhere else in the world
anymore. If you can still catch it in its current version, why not?
And at least if someone expresses an interest in seeing it with me
when I'm back in town, I'm fairly confident I won't have to sit
through the exact same show again.
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